Hey! Why hasn’t it been made yet?

Hello everyone!

We’ve just had word from our screenwriter, Lizzie Hopley that she is over half way through the new draft of Clovis, with an aim to finish it by the end of May/beginning of June. We’re excited to get going on it again.

We’ve had some tweets and emails asking when the film will be done, and why it is all taking SOOO long. I can’t stress enough that making a film is an extremely lengthy process. If a massive studio is behind it, it takes two years (and that’d be considered quick). There are so many different variables, so many obstacles and so many ups and downs. Granted; if we had decided, at the very beginning, to make a very low budget feature with the donations, then we probably could have done it by now. But we didn’t. We chose Clovis Dardentor which has evolved from a relatively low budget film to a fairly high budget one. It has changed, for the better. The ‘Clovis Dardentor’ we had set out to make with £1 Million (at the very beginning) was not right – it wasn’t Jules Verne – it wasn’t Clovis Dardentor.

We haven’t, and wouldn’t ever be able to sell enough credits to fulfill the new Clovis Dardentor’s budget (or the old one’s, in fact). It’s impossible – we’ve kinda proved that. We realised this a while ago and so started to pursue studios and production companies to take on the film (with us). That was the only way we could ever see THIS film get made.

I must assure our supporters who bought credits and pixel-ads that even though we can’t fund the film wholly with your donations, what you gave will still be used to make the film and your names will still be on the end credits. That hasn’t changed. Not one bit.

The focus, for us, has always been the film. Afterall, we’re filmmakers, not salesmen or internet marketers. For this reason, when Stephen Fry, John Lloyd (Blackadder/QI producer), Jude Law and many others read our script and decided that there was something missing, of course we were going to stop and sort out the problem. It has taken a long time to plan and organize the new draft of the screenplay, and it is a great feeling to know that it is being written right now!

Not long ago, we were just three schoolboys getting on with our A Levels, but now we’re film producers, full time. We get to spend our days being creative, planning future projects, writing scripts – it’s fantastic. Though updates have been sparse, we are still pouring our hearts into Clovis Dardentor and are really working harder than ever. If you bought a credit or a Pixel-Ad, I entirely understand any possible frustration or impatience you may be feeling… we’re impatient too.

This could take years to get made. However, the near future looks bright. With the new draft comes new opportunities, open doors. We have producers, studios and production companies waiting to see it. When it’s done, I’ll be posting more updates, telling you where this crazy thing is going. But please, stick with us. These guys still are…

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Hello everyone!

Just the other day we signed and sealed the deal on the new version of our Clovis Dardentor adaptation – ah see what I did there? I didn’t simply call it ‘Clovis Dardentor’ – why? Because the name has changed slightly; it is much more exciting now – which is good because so is the story!

We sat down with Lizzie Hopley (the writer) at our usual stomping grounds, ‘The Curzon Soho’ and went over EVERYTHING to make sure the new draft will be perfect! It’s now all up to Lizzie to give Clovis Dardentor what the studios, production companies and our star supporters thought it was lacking first time round. The new direction is ideal and the script should be fantastic!

As soon as it is done (within the next couple of months) we’ll be knocking on the doors of studios and production companies again (some of which are waiting with bated breath) though this time, Clovis will be considerably better dressed…

Original Illustrations…

I thought, instead of teasing you with just one picture from the original book (as I did in the previous post), I’d upload a few. Above is the original inside cover of the 1897 first edition of “Clovis Dardentor”.

It was when looking back over the book and  all these fantastic illustrations that we remembered the brilliance of the original story. On first glance we knew instantly what we needed to do in this new version of the screenplay and how we would bring Jules Verne back into the equation. I’m sure you’ll agree, the following images are not only intriguing, but they SCREAM adventure! That’s what “Clovis Dardentor” IS and was ALWAYS supposed to do.

Back To Jules…

Okay, so it is all very well me telling you ‘We’re changing the script to take it closer to the book’… But many of you won’t know the book, so you’ll probably be rather stuck as to what that means. Well, I thought I’d give you an example.

The character ‘Clovis Dardentor’ is an absolute force of nature. Everyone who has read the script, including Stephen Fry and John Lloyd have agreed. Jules Verne really made something special there. We maintained that (to a point) in the screenplay adaptation… but I don’t think we did it enough.

Below is a page from the screenplay and a page from the original book. Both extracts describe the first time we meet our hero, Clovis Dardentor. By recognising the difference between the two, you’ll know what I mean when I say “We’re changing the script to bring it back to Jules Verne.”

Here, in the screenplay, we meet Clovis Dardentor in a departure lounge at an airport. It is great writing (by the lovely Lizzie Hopley) but something’s missing:

Now, here is the moment in which we meet Clovis in Jules Verne’s original manuscript. Mr/Monsieur Desirandelle (Annette Badland’s husband from JAM) is on a steamboat which has left the harbour without Clovis Dardentor, who was running late. Clovis commandeers a small boat in order to catch up…

Do you see what I mean? The sense of adventure in the original version is incredible. And THAT is what we want to bring back; the ADVENTURE!

So please, faithful producers, bear with us. We really think it is of utmost importance to get this new version of the script just right. Once we’ve done that, we can take it to the town. Given the staggering brilliance of Jules Verne’s lost hero, Mr. Clovis Dardentor, we reckon that the studios will well and truly be his playground. We’ve already had interest, so with a brand new screenplay and a massive dose of Jules Verne adventure, we should have considerably more!

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About time…

Thought it was about time to say HELLO!

We’ve been very bad not keeping this completely up to date, but I can assure you, we have been working very hard over the past few months.

This is just a quick post to say that on Tuesday, I’ll be posting a blog explaining exactly what we’re doing, what we’ve been up to and how we’re going to make sure 2011 is the year in which Clovis Dardentor jumps out of ‘development’ and finally gets a move on!

Speak soon!

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The Future of “Clovis Dardentor”


So, what is happening and what has been happening? For the past few months we’ve been exploring our options with production companies and groups with a view to either partner with them on the film or to have a bigger company/studio take us on.

During “JAM” we learnt SOOO much about practical film-making. We were thrown in at the deep-end, producing and directing for the first time on a film starring the likes of Stephen Fry, Frank Skinner and Phillip Schofield. Now we are discovering (at the same rate) how it all works on the business side.

So, here’s the news: Clovis Dardentor has looked at himself in the mirror and has had an epiphany. He is not a cheap movie after all. We always knew that we wanted to make something big. We took Jules Verne’s story and adapted it into what we thought would be a film with international appeal. Something that people would SEE! But what we did was turn a commercially viable story into something much more niche and domestic. This has been brought to our attention over the past few months by some of the biggest people in the industry. We’ve been very lucky to have their guidance and continued support. Everyone from ‘Blackadder’ creator John Lloyd to Summit Entertainment’s President have given us feedback. We spent a long time adsorbing this feedback and diagnosing the problems with Clovis’ screenwriter, Lizzie Hopley.

We concluded that we needed to go back to the book; the story that is already so international, commercial, fun, exciting and all the rest of it. By doing this we realised that we hadn’t changed Clovis Dardentor for the better the first time round. So a few weeks ago, Lizzie compiled a new treatment, one that was much more in tune with the book and still maintained the magic of Jules Verne. We’ve spent a week or two discussing the new treatment and comparing it to the current screenplay and have decided that we should go in the new direction; the direction which would lead us back to Jules.

… And so, that is what’s happening. Clovis Dardentor is being re-written. Once it is done it’ll be a lot more appealing for studios and production companies and we’ll be in a much MUCH better position to get it made. Whether that is under the umbrella of another production company/studio or with us still in the driving seat, we really don’t know!

Whatever happens, it is sure to be fun and we can’t wait… Will keep you informed!

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Behind Closed Doors…

Don’t be fooled by the silence! It doesn’t mean that nothing is going on, oh no! In fact there’s lots going on back here behind these doors. What we’re doing now is talking to Producers and Production Companies/Groups regarding joining us in order to secure a successful future for “Clovis Dardentor”. We’re being very careful about making decisions as we need producers who will be able to help us take the film to the top! It’s very exciting and there’s lots of talking and thinking and dealing going on. I will of course let you all know what happens…

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A little run-down…

Hello there! We’ve been working away for the past week and I thought it was time to post an update… in doodle form:

Okay. Maybe I’ll explain:

1. As you may know we’ve begun the very preliminary steps of casting, i.e. sending our script out to actors to see if they’re interested in the film. We’ve contacted a couple of stars already for different roles in the film, and are waiting back on them. At this time, we just want to see if they have even a little bit of interest in the script, and then all the pieces will start to come together. This can take a while though so don’t hold your breath! Stephen Fry has already agreed to a supporting role in “Clovis Dardentor” as has Annette Badland!

2. We’re talking to quite a few production companies regarding working on “Clovis Dardentor”. To get this film made and seen, we are keen to have it taken on by a company that can make it happen and increase the chances of distribution ten-fold! It’s a very exciting time as we are waiting back on some big leads! We’re also talking to quite a few potential investors. So watch this space!

3. Meanwhile, in BUYACREDIT.COM “Be A Movie Producer” land, after earning the support of Jude Law, Ian McKellen and Rowan Atkinson etc, we’re reaching out to more and more notable figures in the industry to ask them if they would consider ‘being a producer’ on “Clovis Dardentor”. Some very good responses so far from some very big names… but I can’t say anything yet!

4. Possibly most excitingly, John Magennis, the Hollywood TV Producer working on making a Reality TV Show following the making of “Clovis Dardentor” a reality (sorry), is talking to tonnes of people and getting the wheels in motion for the show. Some networks have already displayed an interest, so we’re excited to see where that goes!

… And that’s the run-down of what’s going on, what we’re waiting for and what we’re doing. Kapeesh? :)

Video Update…

I thought it was time to try doing a blog update by video. So here’s the first attempt, and a little update on what we’re doing:

(And I don’t know why it looks like I’m wearing lipstick!)

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Stars, Stripes and Script Re-Writes…

Hello everyone! We’ve been spending this week working hard as usual! Lizzie has been working on the next draft of the script which is set to be 10 times better than previous versions. We’ve had great feedback from some of the finest minds in film and comedy, so we know exactly what needs to happen. Other than that, we have had some very positive interest from a few big production companies and distributors, so we’re very excited to see where that goes.

Now, I’ve mentioned in the last few blogs the prospect of BUYACREDIT.COM going to America. Well, towards the end of this month, the plan is that we will be over in the States publicizing the project. We’re uber-excited about all of it and can’t wait to take BUYACREDIT.COM stateside! When I can, I will tell you if and when it is all going to happen.

That will be soon! Very soon!